Benin Art

Akinjogbin, I. A. − ‎Osoba, Segun (1980): Topics on Nigerian Economic and Social History. Ile-Ife: University of Ife Press.

Bacon, Reginald Hugh (1897): Benin: The City of Blood. London: Edward Arnold.

Bascom, William Russell (1969): The Yoruba of Southwestern Nigeria. New York: Holt, Rinehart and Winston.

Ben-Amos, Paula 1978): Owina N’Ido: Royal Weavers of Benin. African Arts, 11, s. 48–53, 95. DOI: https://doi.org/10.2307/3335344

Ben-Amos, Girshick P. – Rubin, Arnold eds. (1983): The Art of Power: The Power of Art. Los Angeles: Fowler Museum of Cultural History.

Ben-Amos, Paula (1995): The Art of Benin. London: British Museum Press.

Ben-Amos, Paula (1999): Art, Innovation, and Politics in Eighteenth-Century Benin. Bloomington: Indiana University Press.

Bernus, Suzanne – Gouletquer, Pierre (1976): Du cuivre au sel. Recherches etno-archéologiques sur la région d’Azelik I. Campagnes 1973−1975. Journal des africanistes, 46, č. 1−2, s. 7−68. DOI: https://doi.org/10.3406/jafr.1976.1773

Blackmun, Barbara Winston (1988): From Trader to Priest in Two Hundred Years: The Transformation of a Foreign Figure on Benin Ivories. Art Journal, 47, č. 2, s. 128−138. DOI: https://doi.org/10.1080/00043249.1988.10792405

Boisragon, Alan (1897): The Benin Massacre. London: Methuen & Co.

Bradbury, Robert Elwyn (1957): The Benin Kingdom and the Edo-Speaking Peoples of South-Western Nigeria. London: International African Institute.

Bradbury, Robert Elwyn (1961): Ezomo’s Ikegobo and the Benin Cult of the Hand. Man, 61, č. 8, s. 129−138.

Buchner, Max (1908): Benin und die Portugiesen. Zeitschrift für Ethnologie, 40, s. 981−982.

Coote, Jeremy − Edwards, Elizabeth (1997): Images of Benin at the Pitt Rivers Museum. African Arts, 30, č. 4, s. 26−35. DOI: https://doi.org/10.2307/3337551

Craddock, Paul T. (1985): Medieval Copper Alloy Production and West African Bronze Analyses, Part I. Archaeometry, 27, s. 17−41. DOI: https://doi.org/10.1111/j.1475-4754.1985.tb00344.x

Crahmer, Wilhelm (1909): Über den indoportugiesischen Ursprung der Beninkunst. Globus, 95, č. 22−23, s. 345−349, 360−365.

Dark, Philip J. C. (1973): An Introduction to Benin Art and Technology. Oxford: Clarendon Press.

Dark, Philip J. C. (1975): Benin Bronze Heads: Styles and Chronology. In: McCall, Daniel F. − G. Bay, Edna (eds.): African Images: Essays in African Iconology. New York: Africana Publishing Co., s. 25−103.

Duchâteau, Armand (1994): Benin: Royal Art of Africa from the Museum für Völkerkunde, Vienna. Houston: Museum of Fine Arts; Munich: Prestel.

Eardley-Wilmot, Sydney Marow (1899): Our Navy for a Thousand Years: A Concise Account of all the Principal Operations in Which the British Navy Has Been Engaged from the Time of King Alfred to the Recapture of Khartoum. London: S. Low, Marston.

Egharevba, Jacob U. (1946): The Benin Laws and Customs. Port Harcourt: CMS Press.

Egharevba, Jacob U. (1968): A Short History of Benin. Ibadan: Ibadan University Press.

Ezra, Kate (1984): African Ivories. New York: The Metropolitan Museum of Art.

Ezra, Kate (1992): Royal Art of Benin: The Perls Collection. New York: The Metropolitan Museum of Art.

Eyo, Ekpo (1976): Igbo’Laja, Owo. West African Journal of Archaeology, 6, s. 37−58.

Eyo, Ekpo (1977): Two Thousand Years: Nigerian Art. Nigeria: Federal Department of Antiquities.

Eyo, Ekpo – Willett, Frank (1980): Treasures of Ancient Nigeria. New York: Knopf.

Eyo, Ekpo (1997): The Dialectics of Definitions: “Massacre” and “Sack” in the History of the Punitive Expedition. African Arts, 30, č. 3, s. 34−35. DOI: https://doi.org/10.2307/3337496

Fagg, William B. (1963): Nigerian Images: The Splendor of African Sculpture. London: Lund Humphries.

Fagg, William B. (1977): The Great Belzoni. West Africa, 3130, č. 4, s. 1330−1331.

Fagg, William B. (1990): Nok Terracottas. Lagos: National Commission for Museums and Monuments.

Fagg, William B. – Pemberton, John – Holcombe, Bryce (1982): Yoruba: Sculpture of West Africa. New York: Alfred A. Knopf.

Forkl, Hermann (2002): Cui bono? – Kritische Anmerkungen zu Datierungsverfahren für die Sonderausstellung Ife, Akan und Benin in Schmuckmuseum Pforzheim. Tribus, 51, s. 90−105.

Gore, Charles (2007): Art, Performance and Ritual in Benin City. Edinburgh: Edinburgh University Press for the International African Institute, London.

Chesi, Gert – Merzeder, Gerhard (2006): The Nok Culture: Art in Nigeria 2,500 Years Ago. Munich: Prestel.

De Grunne, Bernard (1998): The Birth of Art in Africa: Nok Statuary in Nigeria. New York: Vilo International.

Home, Robert (1982): City of Blood Revisited: A New Look at the Benin Expedition of 1897. London: Lex Collins.

Isichei, Elizabeth (1983): A History of Nigeria. London: Longman.

Kaplan, Flora S. (1997): Queens, Queen Mothers, Priestesses and Power: Case Studies in African Gender. New York: New York Academy of Sciences.

Kaplan, Flora S. – Shea, Mary Anne eds. (1981): Images of Power: Art of the Royal Court of Benin. New York: Museum Studies Program, New York University.

Kriger, Colleen E. (2006): Cloth in West African History. Lanham: AltaMira Press.

Landolphe, Jean Francois (1823): Memoires du capitaine Landolpe, contenant ľhistoire de ses voyages pendant trente-six ans, aux cotes d’Afrique et aux deux Ameriques I. Paris: A. Bertrand.

Luschan, Felix von (1919): Die Altertümer von Benin I−III. Berlin, Leipzig: Vereinigung Wissenschaftlicher Verleger Walter de Gruyter.

Lynn, Martin (1998): Commerce and Economic Change in West Africa: The Palm Oil Trade in the Nineteenth Century. Cambridge: Cambridge University Press.

Männel, Tanja M. – Breunig, Peter (2013): Die Terrakotten der Nok-Kultur. In: Breunig, Peter (ed.): Nok: Ein Ursprung Afrikanischer Skulptur. Frankfurt: Africa Magna Verlag, s. 196–220.

Ọmọregie, Osarẹn S. B. (1998): The Ironmakers of Great Benin: A History of Unẹmẹ People. Benin City: Neraso Publishers.

Oronsaye, Daniel Nabuleleorogie (1995): The History of the Ancient Benin Kingdom and Empire. Benin City: Jeromelaiho.

Owen, William Fitzwilliam (1833): Narrative of Voyages to Explore the Shores of Africa, Arabia, and Madagascar. New York: J. & J. Harper.

Platte, Editha – Hambolu, Musa (2009): Bronze Head from Ife. London: British Museum Press.

Punch, Cyril (1908): Further Note on the Relation of the Bronze Heads to the Carved Tusks, Benin City. Man, 8, s. 84.

Read, Charles H. – Dalton, Ormonde M. (1899): Antiquities from the City of Benin and from Other Parts of West Africa in the British Museum. London: British Museum, Longmans and Co.

Riederer, Josef (2006): Metallanalyse der Messingköpfe aus Benin im Ethnologischen Museum in Berlin. Baessler-Archiv N. F., 54, s. 81−94.

Roese, Peter M.– Bondarenko, Dmitri M. (2003): A Popular History of Benin: The Rise and Fall of a Mighty Forest Kingdom. Frankfurt am Main: Peter Lang.

Roth, Henry Ling (1903): Great Benin: Its Customs, Art and Horrors. Halifax: F. King & Sons.

Ryder, Alan Frederick Charles (1969): Benin and the Europeans, 1485−1897. London: Longmans.

Shaw, Thurstan (1978): Nigeria: Its Archaeology and Early History. London: Thames and Hudson.

Shaw, Thurstan (1995): Further Light on Igbo-Ukwu, Including New Radiocarbon dates. In: Andah, Bassey W. – Maret, Pierre de – Soper, Robert (eds.): Proceedings of the 9th Congress of the Pan-African Association of Prehistory and Related Studies, Jos, 1983. Ibadan: Rex Charles, s. 79−83.

Spahr, Thorsten (2006): Benin um 1700: kommentierte deutsche Neu-Übersetzung eines Briefes von David van Nyendael an Willem Bosman. Mammendorf: Pro Literatur Verlag.

Struck, Bernard (1923): Chronologie der Benin-Altertümer. Zeitschrift für Ethnologie, 55, s. 113−166.

Vogel, Susan Mullin (1978): Art and Politics: A Staff from the Court of Benin, West Africa. Metropolitan Museum Journal, 13, s. 87−100. DOI: https://doi.org/10.2307/1512713

Vogel, Susan Mullin (1981): For Spirits and Kings: African Art from the Paul and Ruth Tishman Collection. New York: The Metropolitan Museum of Art.